Showing posts with label Thoughts. Show all posts
Showing posts with label Thoughts. Show all posts

Monday, November 10, 2008

Beware of psycho swords from beyond the veil.

We had a short meeting last night focusing on the two weeks of downtime before we reach Beluria. Missinget and the other casters spent a few days studying some onyx blocks we had extracted from the titan king's brain. As suspected, they contained memories. The memories focused of the destruction of 90% of the Atherton fleet some 500 years ago, the king's relations with a group of powerful elven spellcasters (whom we recognized as the liches we destroyed, and you can guess how the last memory was cut off), and the king talking with one Sethos. Sethos is an extremely powerful wizard known to the older party members who has not been seen in some centuries and has some rather nasty plans in store involving...I'm getting ahead of myself.

A couple of days after leaving the lich caverns, a screaming comet was spotted crossing the sky. Some time later we spotted a massive stone hand rising out of the ocean, smoke billowing from its palm. Aleistair flew over to investigate while the ship remained at a safe distance, and he discovered the very-unconscious-yet-alive body of Zerin! While ferrying him back to the ship, Zerin's sword demonstrated a mind of its own by making some rather threatening "keep going" motions. That is new. Also, along with Zerin was found an infant griffon, which Missinget found highly adorable.

Once he had come round, Zerin informed us that Vateo (his god) had personally hurled him across the planes back to earth (which hurt. A lot.) for a certain, very important task. Do you rmeember when I talked about the transplanar block? We learned that said block is being caused by a set of magical orbs which Sethos is after, and these orbs are causing Vateo to weaken and, if nothing is done, eventually die, which would have nasty repercussions of its own. Who cares about spellslinging undead, now we have to save the world!

On another note, Koslov's player is thinking of DMing a separate, evil-aligned campaign. I must go find out the details.

On yet another note, I have some things to figure out back in the real world. Various life aspects may be getting complicated again. Maybe not. I'll elaborate when I know more.
Edit: Never mind.

Wednesday, March 12, 2008

Nostalgia

Oh, I'd love it when the moon was bright, you know, shining on the rug. God, the size of the roses in that rug! Still were those roses in your mom's and my bedroom when we sold the house. You older ones must remember when we had those roses in every room. How big would you say those roses were? A yard wide? At least a yard wide, yellow, red, and blue roses in every room of the house. You know how she got that rug? Do you remember the RKO Casino on Woodward? When they closed it down there was a tag sale and Lucille bought all the rugging. She intended to just cut a little piece out for our bedroom, but they delivered the whole rug from the whole theater, over a thousand yards. The parish got some and the synagogue got some, and even the Nicholsons next door had those roses in their living room, still do--those rugs were made to be walked on! I never said it, but I loved having those big flowers all over our floors. We even had a piece in the kitchen under the sink. Loved it when the moon came through the windows at night because it made the roses change to white, bright white and dark white, and it reminded me of something--I can't explain--like a poem. My house was a poem and we'd sleep every night on top of giant white roses, and I'd lay back and sip my tea and feel the moon takin' care of us, and I'd listen to the breathing of my kids any my wife, all that breath going in and out, and I'd open the windows to let in some of that cool blue air, and I'd imagine it going into your lungs, into your bloodstreams--the air of God, the air of the universe, sneakin' into our house on Dartmouth drive and--takin' care of us. So glad I couldn't see the future them nights. Glad I was able to have hop, glad I couldn't imagine this cold place. I couldn't foresee anything to hurt us.

--Pop, Reindeer Soup, end of Act I

Reindeer Soup wasn't my first play, or my favorite play, or the play where I bonded the most with the cast, or the play where I felt I did the best job. So why do I miss it so much?

Sunday, December 09, 2007

Speculations

Over dinner my parents challenged me with using the Venetians/Riotous Knights to cast One Flew over the Cuckoo's Nest. Here's my list:

McMurphy: Sexmeister.

Ratched: Sunshine.

Chief: Loyal.

Harding: Gift.

Bibbit: Bedlam.

Cheswick: Knight.

Scanlon: Loquacious.

Ruckley: Gentleman.

Spivey: Atlas.

Warren: Slasher.

Williams: Rose.

Candy: Seductress.

Sandy: Pixar.

Turkle: Song.

Thursday, December 06, 2007

What can I say?

Always wondering. Wondering if I'm wrong for thinking something. Wondering if I'm wrong about what I think of what I think. Wondering if I'm telling myself what to think when I try to let go. Wondering if I'm wrong for what I feel. Wondering if I'm wrong for what I don't feel. Wondering if I'm wrong for what I dream. Wondering if I'm too eager to attach meaning to things. Wondering if I'm too reluctant to attach meaning to other things. Wondering if I overthink. Wondering if I think about the wrong things. Wondering if I sabotage myself. Wondering if I'm really sane.

I've been looking at the description of the schizoid personality disorder. I see a fair few matches in the clinical features, but unlike the described typical sufferer I have no interest whatsoever in drugs, alchohol, or other mind-altering substances. "Oh, that way madness lies! Let me shun that!" So why didn't I mind being given nitrous oxide when I had my wisdom teeth removed? It certainly altered my consciousness. But I could tell exactly when it started up and when it ebbed briefly an comment on it. Lucid madness. Heh. I wasn't worried before the mask went on because I didn't know exactly what to expect; that's clear enough.

I ought to go.

Tuesday, December 04, 2007

Hahaha

First read-through for Urinetown was today, and I can tell that I will enjoy playing Caldwell VERY much. I get to sing a song about killing bunnies, for crying out loud!

Finally we have returned to meditations in Humanitas. Today was more disturbing than previous days. From when I entered the meditation to when I opened my eyes I felt a bit scared for no discernible reason. It was similar to the meditation I tried just before the Friday performance of Cuckoo's Nest. I have identified two recurring figures in these exercises: the zombies and the Black Cloud. I haven't yet figured out what the Black Cloud is, but it's connected to the zombies and I think it has something to do with guilt. I'll have to keep an eye on where I go in upcoming exercises.

The following poem is the result of an exercise during a Shel Silverstein presentation in Poetry:

I'm back, little kid--don't you remember?
I'm the snowman you made and forgot last December.
I started to melt the very next day,
So I hopped on the train to Canada. Eh?
Some older kids wanted to play a mean joke,
So they gave me a beer and taught me to smoke.
My top hat is ragged; my eyes are not coal,
But rather some Agent Smith glasses they stole.
My poor Christmas spirit is as dead as an ember,
So take better care of what you make in December.

Friday, November 09, 2007

Zombie boy needs donuts.

What's with the title? I'll explain later.

Night 2 of OFotCN hath been nailed. In my opinion, tonight was even better than last. In particular, I felt that I did a better job in my suicide scene with Ratched. T met with us earlier for character work, which helped us synch up in terms of subtext, but I think that my pre-show meditation attempt was helpful as well.

We've been working on meditation for the last couple of weeks in Humanitas, and in the last two days things have finally started to get interesting. On Thursday I experienced the feeling of my equilibrium going haywire: it was as if I were lying on a platform which kept tilitng and spinning. Aside from the initial shock of what I felt, it was great. Today I was the guinea pig for a dream interpretation. I entered meditation again while Bruce asked me questions about what was in the dream (starting with a recurring dream I had last year) and prompting me to delve deeper into it. I felt some of the spinning again, but also a heaviness and thickness in my body, and I lost track of the location of my arms. I still knew where they were logically, but they felt as though they were in a diferent position. I was still a bit spaced out when I reached advisory, and somebody had brought donuts. The titular quote then escaped my lips.

During some downtime in rehearsal I tried to re-enter the meditative state. My cell phone rang and snapped me out of it, but I could tell that I had dipped a toe into a dark place in my mind. It's an odd mix of the negative emotions you've triggered and the excitement of such delving. I tried to draw upon that place in the performance and I believe it strengthened me.

Tomorrow I will meditate again if I have an opportunity and dive as far as I can. If it gives me tools to push myself to greater emotional extremes, then let my casements be unstopped!

Oh. Here are the notes taken during the dream exercise:

"Forest Cave"
  • sky is dark--either evening or early morning
  • evergreens
  • pine needles--brown on ground, green on trees
  • fog but clear where he is
  • can see mountain in the distance
  • rocks scattered, 1/2 the ize of his body
  • stone archway--cave
  • more than 30 ft, less than 100 ft away from cave
  • only can see 3 ft into cave
  • no one around
  • water dripping from the roof of the cave
  • pebbles on the ground, air clammy, smells like it has been raining in the cave
  • 50 ft into the cave, moving slowly
  • a lot brighter outside--10 a.m. maybe?
  • turning downhill, and narrower
  • usually would have noticed zombies by now, but not this time
  • some branches off to the sides--a good distance ahead
  • the wal of the cave feels smooth, but not flat
  • call out: someone responded, "Come on!" in a higher voice.
  • Who is it? No voice, but metal banging on stone--follow the sound...
  • Taking first branch on the right--cave becoming even narrower
  • hole in the ground, otherwise a dead end
  • sound coming from the wall behind the hole
  • call out..."Come on in; the water's nice."
  • dropped a rock in the hole, made a splash
  • jumped--water fairly cool, mid-thigh--larger chamber, dry ground a short distance away
  • two bodies floating on either side
  • face almost as if half done
  • hair-black
  • corpse
  • other body--face down, brown hair, Tshirt and shorts, heavy boots but still floating
  • push the one w/ the boots to shore, but very heavy
  • anyone else in cave? --> some insects, possibly beetles, but none on or near the ground
  • call out...noise comes from straight ahead
  • an outline suggesting a door
  • arms feels heavier and wider
  • ask for person to come out
  • door shattered & disappeared
  • someone coming out: skinny as a straw, wearing a hat, name given as Sarah but voice like a boy's, in dream because it got lost
  • Why calling Peter? ...heard me in cave and hoping to get a ride out
  • "Put me in a bottle"--but I don't have a bottle
  • About to say something but noticed something, ran off, & jumped up the hole
  • blob of orange/yellow light in the next room--> going inside
  • Room bigger than the last, 4 pillars, covered in vines, waer ankle deep
  • walls retreated & disappeared
  • now sees the zombies
  • walk over, ask who they are? "Nobody" fell over & began to twitch
  • "You dealt with us on the hill before"
  • Want me to apoligize for killing them
  • Are you willing?
  • Have themselves confused with someone else--so "no" I won't apologize
  • Ask them for a gift...
  • They started screaming
  • Tell them they must give you a gift...
  • Holding out its hands--growing, extendng from bright blue bulb, no idea what it is--one part hollow
  • zombies quiet
  • dismiss them--white and frozen, faded away...they're gone

It ended there for class, although Bruce thought there was quite a bit of material we could have uncovered with time. I hope we get back to it next week.

Sunday, October 28, 2007

Back to reflection

Lately I've been thinking about my identity. Who I am, who I've been, and who I may not want to be anymore. For instance, the Behind-the-Commons Crew. Now that Bedlam, Musical, and Spade have graduated, it's a very different place. We've lost the "intellectual hippie" side and gone over to the "computer geek sophomores" side. I've spent the first two months of school there still, but I can't ignore that it's no longer...for lack of a better adjective, it's no longer Venetian. And it's not just the others. When I'm with the Venetians/Riotous Knights, I'm Peter the Progress, but behind the Commons I feel as though I'm still Peter the Disconcerting. It's not a good feeling. Which is the more "real" me? Have I tried to move on while remaining hooked in my old self through force of habit, or am I still the same person as I've been for ages and only pretend to have changed?

Who am I!? A couple of weeks ago, Spivey arrived just behind me at rehearsal. Our conversation was as follows:

Me: Hello.
Spivey: Oh, shoot, are we supposed to be in character already?
Me: No. Did I convey that impression?
Spivey: Yes.
Me: How? I didn't even stutter.
Spivey: Oh, sorry. I think it has something to do with the fact that even when you're not on stage, half the time you're acting anyway.

This has been gnawing at me since.

Even before this exchange, the possibility has crossed my mind that I'm acting more often than I want. So I deny it. My emotions do seem to have freer rein when the stage is involved. If I do wear the theatre mask too much in real life, it becomes a simple matter to jump to the possibility that I use people. (Lantern: ...and that doesn't mean riding roughshod over other people. You're not Richard III.) Was that what she was talking about?

Oh, let me not be mad.

Which reminds me: impulses. When you see something, you you're doing something, your brain will inevitably point out a potential course of action which is absurd at best (You know, you could stand up and shout, "Hey, Romeo! DIE ALREADY!" Nobody would be able to stop you.) and psychotic at worst (The way his leg is stretched out right now, I bet you could stomp on it hard enough to break it). This happens to everyone, I'm sure, but the part of my brain that comes up with these seems to be on overdrive. Time and time again I have to respond, "I could, but I have no cause!" Or find a way to shut it up for as long as I can. There certainly remains a line between thinking and doing, but it can be tempting to feel out that line. To get as clooooose to it as possible without crossing.

*exits DSR*

Wednesday, September 26, 2007

Moon shadow

If you read this in the next couple of nights, when it is night if it isn't already, take a moment, go outside, and appreciate the shadows cast by such a bright moon.

This takes me back to the full moon that shone when we were crossing the Saline Valley. What is that line of Iona's? "Nights so clear and bright you could read a book by the moon?"

Sunday, September 23, 2007

Turning, turning, turning through the years...

I repeat myself a lot. Not merely in conversation (though I do tend to forget what I have said to whom), but certain life events see themselves used a fodder for multiple pieces of writing. The night on the trampoline, for instance, is now making its third appearance in a school assignment.

Saturday, September 08, 2007

Veg bad

I really need to get out more.

Gah. I appear to be developing a sore throat.

Let's discuss some topics in a slightly more positive vein, hmm?

I'll come back to this post when I have something interesting on my mind.

So what was the point of clicking the New Post button in the first place?

Sometimes you just need to talk, and hearing the words bounce off the walls of your room isn't sufficient. Broadcasting in some form or another becomes necessary or else you go stir-crazy. Was it really only yesterday I was at school? I even slept in this morning, and yet the weekend feels as though it has dragged on since Wednesday.

Do you ever have trouble recalling the appearances of people you know well? That is happening to me right now. I remember what they look like, but I can't correctly visualize them for long before the images distort or simplify.

A freewrite would do me some good right now.

The window is open in front. How much attention do passersby pay? Can they hear me talking to myself, and if they looked inside how much would they see? If I knw the answer, would it change how I compose myself in the "privacy" of my own home? At least they cannot take from me the use of mine own house. Ah, here we go: Shakespeare on the brain. I'll be seeing King Lear either next month or at the end of this month with the other Riotous Knights. The old crowd--the Venetians that didn't return this year, that is--has been awfully quiet for the last couple of months. I ought to send them an email. That reminds me that I have a couple of calls to make over the next day or two. But enough about that. Shakespeare is more interesting to think about. So is my style of typing. I never learned how to type properly, but this method seems to work fine. I don't know what my words-per-minute rate is. I don't know what to write. I don't know what to write. Don't get stuck here. Uncertainty leads to grounding. That seems to be the case in most if not all facets of my life, as opposed merely to acting. Ask me a question that I can't immediately answer, and it's likely that I'll freeze. This can be quite embarassing, which only exacerabtes the situation. I don't know what to write. Freewrites remind me of Softy's upcoming class. All the students who took it last year, were Venetians, and have not gone on to college--all four of us, that is--are returning. Song and Knight have also voiced their interest. I spread news of it to Nixon and Vince as well. Might they be interested? I have no idea. Vince might not, as he'll be performing in Fiddler on the Roof around that same time as the class begins.

Whee.

Friday, September 07, 2007

Are directors normally this candid pre-casting?

I made the callback list, so I'm cast for sure. Yippee!

This afternoon we had various cold readings from Cuckoo's Nest. I read as McMurphy, as Harding, and as a little bit of Billy. I requested to read another Billy piece on Monday, as I felt that two lines did not make for a full respresentation of me as the character, although T said that he saw what he needed to in that respect. Speaking of what T said, afterward he talked pretty openly with me about his thoughts: if from them I could assign percentages to my likelihood of getting cast in this role or that, I would assign them like so: 50% Billy, 45% Harding (that surprised me; I didn't see myself as quite the Harding sort), 5% McMurphy. He's all but cast me already in one of the first two, but McMurphy would be a bit of a stretch from what he's seen of me (and Lear wasn't a stretch!? But I digress.) in terms of the character's physicality. McMurphy's a fighter, and if I really want the part I ought to join the fight club so that I can get it into my body. I'm willing to do that, but my worry is that it could strangle the schedule I've worked to keep wide open this year (and scheduling conflicts--that and our shoo-in for Bromden going AWOL--are the only reason, as far as I can tell, that Vince might not land the role).

Regardless of how the roles are sorted out, I repose my opening question: are directors normally this candid pre-casting?

Tuesday, August 28, 2007

Desire

We discussed desire in Humanitas: why we desire, what we desire, how Eastern schools of thought seek to eradicate desire differently from Western thought. Desire basically comes from a realization of what you do not possess, yes? Either you realize that there is no "you," that there is effectively no difference between you and what you desire, you attain literally everything you desire, or you understand that that you cannot reach the end of the road and become content with your position.

I believe that one cannot eradicate desire. At least, one cannot eradicate desire fully and live for more than a few days. Unless you desire, you may as well be a rock. Nikhil described true happiness as enlightenment, as the absence of desire, but then you may as well die, unless the happiness is its own desire. Then desire becomes something you maintain every instant. If people attempt to eradicate desire, that itself is desire. On the other hand, sometimes desire itself can be the object of desire. Thoughts like this lead one to believe that the first-degree desire is "real," whatever that means, and before long will arise a desire for the desire of desire. Confused yet? I am.

Homework for Thursday, unsurprisingly, is to make note of what I desire and understand why.

Obviously, you cannot attain everything you desire and continue to live. If you engange in the most basic of activities--eating, drinking--than you indicate a desire for future life. The only ways to escape such would be immortality or somehow existing at every point in time at once.

I desire a trip to the drinking fountain.

Monday, August 20, 2007

Here are my thoughts. Give me my penny.

I miss Cal Shakes. It's only been three and a half weeks, but it feels like an eternity. Thinking about Cal Shakes brings me to thinking about the immediate future of theater at school. It's kind of sad to look ahead and know that the plays we put on are 95% likely to not be as good as what I and so many others were in less than a month ago. Less available time to work on the plays, no guarantee of a strong pool such as there is at a class (calling it a camp trivializes it to my ears) fully devoted to Shakespeare for 5 weeks--not to say that we don't have some fantastic and committed actors at school, because we do--and no Omnipotent/Softy directing us.

I attended a leadership workshop today where I heard that One Flew over the Cuckoo's Nest was confirmed as the fall play. I will be auditioning for McMurphy, of course (the more I think about it, the more I realize that I get cast primarily as the nutjobs, so I'm very confident that I will be cast as somebody), but I've heard that Klute will kill for the role, and he apparently is a huge fan of Ken Kesey. He was good in Reindeer Soup. I suppose the main concern for that play is Chief Bromden. Vince has the height to play him, but he's a bit on the skinny side. Whether Iona or Nixon will get Nurse Ratched I do not know (yes, "Nixon" is a girl): Nixon's a senior, but Iona has a bit more experience in the school plays.

Saturday, August 04, 2007

Time to turn topsy turvy

I've been feeling down for the past few days, so apologies if that bleeds into my post too much.

Yesterday a number of us met in Berkeley. We went to an Indian restaurant, checked out some books from the library, started to read Love's Labour's Lost, didn't finish, bought a few copies of Oscar Wilde plays, and read part of The Importance of Being Ernest. It was getting late, so Gentleman and Atlas went home while Loyal, Bedlam, and I crashed at Lantern's apartment for the night. We read more Wilde, talked about fairy tales, about life, and many other things besides.

Lantern walked with me back to the BART station this morning, which I appreciated. A random meta-thought question of mine was, "Do you ever think a thought and then wonder what the subtext was?" I asked because, while watching Hunchback the other night, I thought that Quasimodo did not have his head on entirely straight during his first song when he claimed that one day "out there" was all he asked. Quasi, methinks it would be better to stay up in the belltower than to step out for one day, realize what's out there, and never be able to go out again. When I brought this up, Lantern said that everyone needs to determine for themselves how much time one should spend in the belltower. Never leave, you'll go crazy. Never go inside, you'll go crazy. Everyone has their own balance. When we reached the station, she told me that I need to look for what's good for me. "And that doesn't mean riding roughshod over other people; you're not Richard III."

I don't know what I need most, but what my life does not need right now is more time up in that belltower! I've lived up there so long that it's become easy. It's easy, but it's not fun. Gargoyles make poor conversation!

Thursday, July 19, 2007

...I'd use them so that heaven's vaults should crack!

Blazing Saddles...thbpth.
Annie Hall...thbpth.
Sleeper...thbpth.
Casino Royale...*retch*

I am becoming thoroughly turned off to 60s and 70s comedy, particularly of the Woody Allen variety.

Thursday, March 08, 2007

Fanatic

Why have I gone so berserk over this audition? Yes, I am a big fan of the Reduced Shakespeare Company, but when one monologue is asked I prepare 4 monologues and make the props? I didn't do anything remotely close to this for Reindeer Soup or Sweet Charity. Perhaps I'm just overcompensating for the heightened bar for auditions now. Even so, I only originally planned to deliver the two from America Abridged. Somebody once said (I forget who, but I think it was either Twain or Einstein), "A fanatic is somebody who redoubles his effort when he has forgotten his aim." Does this apply to me? Do I not know why I still try out for theater? No, I remember that, at one point during Sweet Charity preparations I almost felt at home. But I have displayed this tendency before, to sieze onto a task and beat it into the ground. These flashes of, for lack a better word, fanaticism, appear to punctuate my usual tendency, which is to skim, to go quick and shallow. I've mentioned this before, but the majority of projects I pick up are shortly afterward abandoned, only partially finished. Karla's comments on my story were to this effect as well: she said that I was moving very (read: too) quickly.

Speaking of my story, I have hit a snag with the end. My secondary characters take over for the last page and a half, but given the nature of the ending I can't think of how to fix that without performing a complete conclusectomy.

In other news, nominations for next year's Town Meeting officers were held today. Somebody (I don't know who) nominated me for all four positions: President, VP, Secretary, and Moderator. I declined each one in turn; leadership positions just aren't for me.

Saturday, December 02, 2006

I need to write, but I have nothing.

I need to write, but I have nothing. Why do I need to write? I wrote less than an hour ago, and again earlier today. Normally I would have attended class with Omnipotent and five other Venetians today, but it doesn't pick up again until next week. Too long! I miss everybody! I saw them, not everybody, but some Venetians a week ago, and we broke up even more recently than wold have if it had been a regular class day, but the space between then and now feels endless. I've made another friend over the last week. Thank you, Lilith. I mean, yes, I did know of you before, but only over the past few days have I really started getting to know you. Tangent. Why isn't the italics hotkey working? End tangent.

I need to write, but now I have something. Not enough. I need to talk. Can't talk. Writing will have to do. Math papers are waiting to be graded. They can wait. I have huge chunks of freedom tomorrow, and more on Tuesday, and more on Wednesday. Enough to finish grading easily, and then maybe to grade them all over again. Why would I grade them a second time except to prove a point, but not even then. There are other things I can do with my time. Like wonder if and how I'll be cast in Sweet Charity. Tangent. It's been a while since I wrote a long post like this one. End of tangent.

I still need to write. What to say? Names. Why not names? Peter. Trotsky. Tubal. Disconcerting. I am all these and more. Emperor of Carthage. Whoo, that's and old one. I forget whether Emperor of Rome (Poppet) was the first to bestow my title on me or I on him. I doubt he even remembers. I don't know why I even remember. It's pointless. I am afraid that any possible reason to remember is fading away anyway. I count on my fingers. Some 14 fingers, and 12 Venetian (+3 really, but they have, for all intents and purposes, disappeared). But as Finger 14 is rising, is Finger 1 dropping? I don't know what larger implications it would have, or even if it would have any, but I don't want to cut what may be my last tie to the first half of my life. No tangent this time.

ARGH! It's not enough! I still need to write! Why?! Why now am I possessed with this urge to write and write and wite and then to come back and write some more?! I'm going to look for and post one of those 50-word stories I had to write last year in Lit class. The funny one. Well, you might not find it funny. It's funny in a rather sick way. But the class and my Lit teacher liked it. I'll go look for it now.

Wow. I still have my notebook. My sad, ratty little literature notebook with six pages still attached and more written on the inside front cover than on the pages theselves. There's the beginning of on another poem in there, but I know I'm not going to ever finish it. It was going to be similar in style to the Love Song of J. Alfred Prufrock. I didn't even like that poem. But what matter? It's just another half-finished project. Another dead sheet of paper in the mass grave of such projects of mine. I'll get halfway, or a third, or a tenth of the way, and then drop off. But on to the 50-word story.

"I'm sorry, Dave, I can't write the story," I said. "Sure you can," Dave replied. "No, my disease is preventing me from writing," I countered. "What disease?" "Leprosy." "If you're well enough to come to class, you're well enough to write." I lifted my arm. "My writing hand fell off."

As a bonus, here are the other three I wrote that day. Yes, there is an element of morbidity here. I was by no means the only one with a morbid mind that day. One classmate wrote about a guy who takes a bite of a piece of bread with "butter" that turns out to be sodium! And then there's the "Time for you to say bye-bye" story. Dave wasn't surprised. He said that when you need to keep it short, morbid is easy. Now on to the other 50-wor stories. Really.

I sat down on Santa's lap unable to keep a grin off my face. Jovial as ever, he inqured, "What would you like for Christmas, little boy?" Imagine his face when I replied, "A five hundred-page book on demonic summoning!" Yes, we Dungeons & Dragons players are often misunderstood.

The janitor watched the tax collector enter the building. His employer escorted the guest into the next room. After the door closed, the janitor sighed and went ot get his mop. He returned to clean up the mess, wondering why they never learned: Assassins' guilds do not pay their taxes.

Having finished off all my classmates, he killer turned to face me. I leaped for the window, but his strong hand plled me back. Terrified, I shrieked, "Why are you doing this to us all?" His response chilled me to the core: "What else to do on a rainy day?"

The third story there was not my only assassin-related piece of writing last year. When we had sentence-writing competitions (adhering to structural guideline XYZ), my sentences were almost always assassin-related. My sentences almost always won. Coincidence?

Here's an example I found just now. We each had to write an extremely short sentence ("I am smart," for example). We then had to expand our sentences to 50 words or more without using lists. Here was my end result: "In those sleepy hours just before dawn on a Wednesday morning, the cackling and emotionally disturbed assassin whose divorced parents had molested him in his youth, utilizing sodium and a barrel of lukewarm tapwater, immolated the homeless, hapless, weepy-eyed orphan clad in only a few scant, oily rags, who wailed and wondered what sick twist of fate had condemned her to this most gruesome, even by pyrotechnic stabdards, of demises." Really, I am not wrong in the head! I promise!

I also wrote essays attacking Thoreau (specifically, referring to him as "an arrogant little snot" at one point) and The Great Gatsby. I believe both received good grades; I know the Thoreau paper did.

Whew! My need to write seems to have been sated for now. Back to the math papers for me!

Friday, November 10, 2006

Nothing

Writing. Thinking. Listening. Listening to myself and the click of letters. Need a subject. Acting class tomorrow. Not enough. Thinking. Wondering. Feeling the contrast between skin and fingernail. Being called. Gone.

Back. Experiencing the aftertaste of two tart tangerines. Eyes glazing. Shaking back to focus. Still nothing. Considering another stream of consciousness. Distracted. Feeling a trickle down my foot. Looking down. Oh. Bleeding again. Gone.

Back. Making sure paper towel is staying. Thinking. Nothing. Mentally running lines for King Lear. Grinning. Bringing focus back to the keyboard. Hearing the a/c come on. Still thinking. Still nothing. Rubbing forehead. Time. Late. No school tomorrow. Ha. Giving up. Making do with this. Gone.